In its 7th year, the Home Is Distant Shores Film Festival celebrates the lives and experiences of immigrants and refugees who have embarked on journeys to new lands, showcasing their compelling stories through captivating films and artwork. This special edition - the first in Greensboro! - will feature 11 evocative films and conclude with a panel discussion facilitated by Tina Firesheets with award-winning filmmaker (Ma’s Kitchen) and founder of IronWorx, Debbie Vu.
It all began in 2019 with a casual lunch at the local Turkish restaurant when Aby Rao, Clodagh Lyons-Bastian and Scott Phillips got together to discuss films about immigration and refugees. Little did they realize they would embark on a journey called Home Is Distant Shores. The film festival amplifies refugee and immigrant experiences through art to increase awareness and compassion. The next HIDS festival on May 9, 2026 will be in Cary.
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Started in the 1990s, NAI serves refugees and immigrants with wraparound services all under 1 roof. Clients take classes for Citizenship, Driver's Education, English for Speakers of Other Languages (ESOL), access case management, receive health navigation support, and build support relationships that ease the trauma of forced migration. Clients also have access to a preschool for ages 3-5, a school navigation (Refugee School Impact) and youth mentorship programs for ages 5-18, as well as a community garden. NAI's next community event will be their annual Gala in 2026.
PAVE NC (Pan Asian Voices and Experiences N.C.) is a nonpartisan, volunteer-run initiative to share the stories and experiences of Asian American and Pacific Islander peoples (AAPIs) in N.C., while also providing a platform to connect AAPI communities so that they may collaborate with and support each other.
“A Journey Through Angel Island” is the latest video I’ve made to shine a light on this National Historic Landmark. Built in 1910 to enforce the Chinese Exclusion Act, the only time in American history that a group was singled out and barred from coming to the United States, illustrates the complexity of our immigration policies. As a descendant of Angel Island Immigration Station detainees, I’m deeply committed to enlightening viewers about its significance.
At the age of 13, Nyasha left her home in Zimbabwe and came to South Africa as an illegal immigrant. The film follows her seven years later in her new, temporary home, the border town of Musina. Here, the strong woman struggles to find her place between the past and the future, between her dream of running her own beauty salon and the hardships of everyday life. And over and over again, she fights to be seen not as a migrant, but as a human being.
Sherpa of Queens follows Serap Jangbu and recalls his life from his home country of Nepal compared to his current life in New York City.
Ma's Kitchen is a semi-autobiographical short film (which will become a feature film) about Debbie Vu, her mother, their language barrier and straddling between two very different cultures, Vietnamese and American.
Like migratory birds, these kids cross borders facing adverse situations in search of better living conditions. From a shelter in northern Mexico, the voices of boys and girls show that dreams survive despite the uprooting and hostility of the trip.
Unfortunate circumstances in Afghanistan in the summer of 2021 forced several people to leave their beloved country. Sachi Dely, an artist based out of Greensboro, NC, experienced something similar two decades ago in Vietnam. Through this visual poem, Sachi renders advice to new refugees to rekindle hope and faith.
FRANK treks back home to his parents after recently being laid off with his young daughter KASS in tow. With their lives packed in a pickup truck, they drive across the California desert, hoping to make it to their destination in one piece.
An intimate portrait of a sweet shop that has been an anchor for the Japanese-American community in Little Tokyo since 1903. The ingredients of the brightly-colored pieces of mochi-gashi that line Fugetsu-Do's wood-paneled cases include so much more than rice flour and sweet bean paste. Mixed inside are stories of joy and pain, tradition and racism, legacy and loss. Survival is never easy; it’s complicated and messy, full of contradictions and surprises. In the three generations that the Kito Family has been running Fugetsu-Do, the store has become a memory bank for the community and the stories that line its walls could not be more relevant in today's America.
Apolitical mom finds her voice: Lakshmi urges South Asians to shape their children’s and local future.
A grieving Islamic Sunday school teacher begins to question his reality when the stories he teaches follow him home.
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